[PD-cvs] doc/tutorials/cognition durations_affect_recognition.pd, NONE, 1.1.2.1 ear_dominance.pd, NONE, 1.1.2.1 identification_of_order.pd, NONE, 1.1.2.1 change_perception.pd, 1.1.2.1, 1.1.2.2 durations affect recognition.pd, 1.1, NONE ear dominance.pd, 1.2, NONE identification of order.pd, 1.1, NONE

[Hans-Christoph Steiner]

Update of /cvsroot/pure-data/doc/tutorials/cognition
In directory sc8-pr-cvs1.sourceforge.net:/tmp/cvs-serv31289

Modified Files:
      Tag: branch-v0-39-2-extended
	change_perception.pd 
Added Files:
      Tag: branch-v0-39-2-extended
	durations_affect_recognition.pd ear_dominance.pd 
	identification_of_order.pd 
Removed Files:
      Tag: branch-v0-39-2-extended
	durations affect recognition.pd ear dominance.pd 
	identification of order.pd 
Log Message:
removed spaces from filenames

--- NEW FILE: ear_dominance.pd ---
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#X text 258 24 'cognition' by Hans-Christoph Steiner;
#X text 36 166 The original experiment is from:;
#X text 46 182 Deutsch \, D. (1975). Musical Illusions. Scientific
American \, 233 \, pp92-104.;
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#X text 35 51 Most listeners perceive this stream as a tone alternating
back and forth from ear to ear \, while alternating between high and
low pitches. What is actually happening is that the high and low tones
are alternating in each ear \, but at opposite times.;
#X text 35 119 Your dominant ear tells the brain that the pitch of
the tone is changing \, while both ears track the position of the high
pitched tone.;
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Index: change_perception.pd
===================================================================
RCS file: /cvsroot/pure-data/doc/tutorials/cognition/change_perception.pd,v
retrieving revision 1.1.2.1
retrieving revision 1.1.2.2
diff -C2 -d -r1.1.2.1 -r1.1.2.2
*** change_perception.pd	18 Dec 2006 02:38:13 -0000	1.1.2.1
--- change_perception.pd	23 Jul 2007 23:38:22 -0000	1.1.2.2
***************
*** 1,3 ****
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--- 1,3 ----
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--- NEW FILE: identification_of_order.pd ---
#N canvas 336 40 530 585 10;
#X obj 123 280 osc~ 500;
#X obj 275 280 phasor~;
#X obj 275 261 sig~;
#X msg 275 241 300;
#X text 74 63 There are four distinct sounds being played in a sequence.
Determine the order of the sequence of the sounds.;
#X obj 192 259 noise~;
#X text 97 619 (Warren 1968 \; Warren et al. 1969 \; Warren and Obusek
1972);
#X obj 192 279 hip~ 3000;
#X text 347 280 speech 'ee';
#X text 167 119 (from Thinking in Sound \, p.40);
#X obj 0 0 cnv 15 580 40 empty empty Identification_of_order 20 12
1 18 -216441 -66577 0;
#X text 258 24 'cognition' by Hans-Christoph Steiner;
#X connect 2 0 1 0;
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--- durations affect recognition.pd DELETED ---

--- ear dominance.pd DELETED ---

--- NEW FILE: durations_affect_recognition.pd ---
#N canvas 448 122 530 585 10;
#X text 91 14 Note durations affect recognition;
#X text 117 91 (from Thinking in Sound p.52);
#X text 57 122 "Sequences of tones forming melodies are perceived as
more than a series of pitches \, and seem to have an emergent property
characteristic of the particular pattern- in other words \, they form
distinctive auditory gestalten or temporal compounds. If melodies can
be considered as temporal compounds \, then we would expect to find
a 'temporal template' for melody recognition that has both upper and
lower durational limits." [1];
#X text 31 479 [1] "Thinking in sound: the cognitive psychology of
human audition" \, ed. S. McAdams and E. Bigand. Oxford University
Press \, 1993 \, p52;
#X text 81 294 play happy birthday fast/slow;
#X text 79 320 play twinkle twinkle little star fast/slow;
#X obj 0 0 cnv 15 580 40 empty empty durations_affect_recognition 20 12
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#X text 258 24 'cognition' by Hans-Christoph Steiner;

--- identification of order.pd DELETED ---