[PD] Musical notation object on Pd

[Jonathan Wilkes]

--- On Sun, 11/14/10, Mathieu Bouchard <matju at artengine.ca> wrote:

> From: Mathieu Bouchard <matju at artengine.ca>
> Subject: Re: [PD] Musical notation object on Pd
> To: "patko" <colet.patrice at free.fr>
> Cc: "pd-list" <pd-list at iem.at>, "João Pais" <jmmmpais at googlemail.com>
> Date: Sunday, November 14, 2010, 8:54 PM
> On Wed, 10 Nov 2010, patko wrote:
> 
> > particulary Xi for flûte, http://james-ingram-act-two.de/stockhausen/Xi/sxia1l.html
> 
> I just noticed the parts in IPA (phonetic alphabet).
> [y] [ø] [œ]
> 
> First time I see those on a score. Interesting.
> 
> > Also, how a composer would do when he need to build
> his own scale, from empiric harmonic rules? Let me try to
> explain, music composition has evolved a certain way
> technically that one composer could build up a scale for
> each different piece he makes. How could he write scores
> that could be read by any genuine musician any time?
> 
> What's a genuine musician ?

genuine musician - a musician who is 100% leather
non-linear form - music where the audience can scrub (and ultimately 
overwrite) moments of pretension and/or rigidity during the performance 
of a piece.
organic harmony - harmony that a) has not had its motives genetically 
modified, b) contains no chemical pesticides, c) produces no sewage 
sludge, and d) has not been irradiated.
emancipation of dissonance - making harmony free for future generations 
so they can devote their time to less pressing issues, like civil 
rights, women's suffrage and all that jazz...

-Jonathan