[PD] Musical notation object on Pd

patko colet.patrice at free.fr
Mon Nov 15 11:39:43 CET 2010


----- "Mathieu Bouchard" <matju at artengine.ca> a écrit :

> On Wed, 10 Nov 2010, patko wrote:
> 
> > particulary Xi for flûte, 
> > http://james-ingram-act-two.de/stockhausen/Xi/sxia1l.html
> 
> I just noticed the parts in IPA (phonetic alphabet).
> [y] [ø] [œ]


> 
> First time I see those on a score. Interesting.
> 



 yes he has wrote some pieces that use phonemes as musical events, that's really interesting indeed. 



> > Also, how a composer would do when he need to build his own scale,
> from 
> > empiric harmonic rules? Let me try to explain, music composition has
> 
> > evolved a certain way technically that one composer could build up a
> 
> > scale for each different piece he makes. How could he write scores
> that 
> > could be read by any genuine musician any time?
> 
> What's a genuine musician ?
> 

 That could be a complicated question, because I'm not sure to have used to good word,
 for describing who in the future will be able to have a clue about what is wrote on the paper, and
 this is also influenced by what E. Varese said about music in the future, interprets would disappear
only composers would remain, that's what happening with using machines or tape instead of musicians,
and from my point of view, only 'genuine' musicians could have a knowledge by doing some researches or studies
 about how the scores should be interpreted, the 'false' ones would be the machines for example, or the "lambda machine users"

by 'lambda' I mean someone that only use the machine without asking questions.



>  
> _______________________________________________________________________
> | Mathieu Bouchard ---- tél: +1.514.383.3801 ---- Villeray, Montréal,
> QC

-- 
Patrice Colet 



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