<br><blockquote class="replbq" style="border-left: 2px solid rgb(16, 16, 255); margin-left: 5px; padding-left: 5px;"><matju @artengine.ca=""><br>There's a girl studying composition here who writes kind of new-agey<br>piano-voice stuff, maybe a la Tori Amos, definitely a la some anime<br>themes, and we were chatting once (my motivation was not strictly<br>musical) when she said, "I really like to write mixolydian, I just<br>feel like that's my mode." What do you say to that? "My apartment<br>seems very mixolydian"?<br></matju></blockquote> We can make a mixolydian mode sounding lydian (my favorite) as well as sounding like other modes, for any chord in the major scale, we just have to insist<br> on the pattern of the lydian arpeggio, for having a lydian sounding mixolydian, where the chord would also tend to be the fourth of the major scale with using the fifth note for the bass.<br> <br> ( Just try that, and you will sound like F. Zappa in Inca Road's
chorus, or Shut Up And Play Guitar's solo, which is from the same song).<br> <br> Using pentatonic scales would multiply by seven the number of combinations of a mode sounding.<br> <br><p> 
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