<div>Hi Andy~</div>
<div> </div>
<div>Did I miss this post? I'd like to take a gander at your useage of wavecycles too!</div>
<div> </div>
<div>~Kyle<br><br> </div>
<div><span class="gmail_quote">On 12/28/06, <b class="gmail_sendername">Patco</b> <<a href="mailto:megalegoland@yahoo.fr">megalegoland@yahoo.fr</a>> wrote:</span>
<blockquote class="gmail_quote" style="PADDING-LEFT: 1ex; MARGIN: 0px 0px 0px 0.8ex; BORDER-LEFT: #ccc 1px solid"><a href="mailto:padawan12@obiwannabe.co.uk">padawan12@obiwannabe.co.uk</a> a écrit :<br>> Couldn't quite follow what you were doing there Pat.
<br>I forgot to put the comments in my first commit,<br>so it make the patch hard to understand with all mistakes there was<br>inside...<br>> Here's my take on<br>> a way of fading between two waveshapes stored in tables that might
<br>> help.<br>What I am looking for is a little bit more complicated because it's<br>about fading between more than two waveshapes,<br>but the principle is the same.<br>> It isn't very well commented but in a few words:
<br>><br>Neat composition!<br>I finally enjoy my mistakes,<br>which has driven my hears to listen to this piece.<br>> there's two tables, the crossfader exchanges back and forth between<br>> the two, each one is written randomly with a wavecycle (a random set
<br>> of values times a curve to smooth the ends) when it has zero volume<br>> - so we get a continuously morphing pad sound.<br>><br>><br>><br>This is a way very interesting to study, for generating waves, very
<br>astonishing.<br>I was planning to do something similar in some uncertain future, but<br>filling tables with voice formants.<br>PC.<br><br><br><br><br><br>___________________________________________________________________________
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