Cyrille points out the correct method of syncing video to an audio clock. All hardware devices and professional software use the audio to clock the video.<br><br><div class="gmail_quote">On Fri, Oct 31, 2008 at 4:48 AM, cyrille henry <span dir="ltr"><<a href="mailto:cyrille.henry@la-kitchen.fr">cyrille.henry@la-kitchen.fr</a>></span> wrote:<br>
<blockquote class="gmail_quote" style="border-left: 1px solid rgb(204, 204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;">hello,<br>
<br>
i'm wondering why did you sync audio on video : i think it is easier to sync the video on the audio.<br>
just make all the line~ as you wish for the audio, then snapshot~ periodically and convert audio position to frame number...<br>
<br>
cyrille<br>
<br>
<br>
Hans-Christoph Steiner a écrit :<br>
<div><div></div><div class="Wj3C7c">> I am trying to make a version of [line~] that gives me a line based<br>
> on the frame numbers I give it. Basically, I give it a frame counter<br>
> in the first inlet, then start frame and stop frame as arguments.<br>
> The hard part is that I want it to behave like [line] in that the<br>
> last value stays in effect until something else overrides it.<br>
><br>
> How do I do that with DSP data? If I use [switch~], then the<br>
> [outlet~] will just retain its last value.<br>
><br>
> .hc<br>
><br>
><br>
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><br>
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