Really awesome Frank!<br><br>I like how you've been touring the Ableton toolkit for Pd-inspiration. They were pretty much prototyped in Max anyway, so it's definitely doable by keen minds such as yours.<br><br>I can't wait for your version of Operator!!!<br>
<br>~Kyle<br><br><div class="gmail_quote">On Tue, Dec 30, 2008 at 9:07 AM, Frank Barknecht <span dir="ltr"><<a href="mailto:fbar@footils.org">fbar@footils.org</a>></span> wrote:<br><blockquote class="gmail_quote" style="border-left: 1px solid rgb(204, 204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;">
Hallo,<br>
<div class="Ih2E3d">Frank Barknecht hat gesagt: // Frank Barknecht wrote:<br>
<br>
</div><div class="Ih2E3d">> Yes, that's true. It's similar to the Erosion effect in Ableton Live,<br>
> but with a delay length of one sample and the lowpass filtered input<br>
> signal as modulator.<br>
<br>
</div>Ah, I checked again and that's not quite correct: Erosion modulates<br>
the delay *length*, not the feedback/feedforward coefficients like<br>
apdist~ does.<br>
<div class="Ih2E3d"><br>
Ciao<br>
--<br>
Frank Barknecht Do You RjDj.me? _ ______footils.org__<br>
<br>
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