Hey PD-List,<br><br>Has the throw~/catch~ system been designed to have a different available headroom than standard [+~] and [*~] objects?<br><br>I've been designing a few polyphonic patches and have decided to use throw~/catch~ instead of hard-wiring the summing bus. I've found that when the signal approaches 1.0, distortion occurs. Has this been designed as such for a reason?<br>
<br>Cheers,<br>~Brandon<br>