<html><head></head><body style="word-wrap: break-word; -webkit-nbsp-mode: space; -webkit-line-break: after-white-space; "><div>Howdy,</div><div><br></div><div>I have some questions regarding methods to get optimal live sound in pd.</div><div><br></div><div>Using my electric guitar, I keep running into situations where the mix and loudness levels vary widely form place to place and system to system. I am used to this happening with regular analog gear, but not with the rather annoying difficulties it adds in pd. I run into feedback problems with the guitar or the mic, the mix sounds weak, etc. I just cannot seem to get a good, consistent live sound when using the electric and a live mic .. *sigh*.</div><div><br></div><div>So my questions are:</div><div><br></div><div><ul class="MailOutline"><li>What do you guys do for your live set? Do you do some sort of EQ/compression on the final stage before going out the the dac~?</li><li>I found this post about the ears response to certain frequencies at different sound pressure levels <a href="http://gabesrocklog.blogspot.com/2009/08/eq-or-how-to-turn-down-suck-knob.html">http://gabesrocklog.blogspot.com/2009/08/eq-or-how-to-turn-down-suck-knob.html.</a> Should I try using these curves on an eq going out?</li><li>Does anyone know how commercial software deals with this? It seems to me that Logic, Live, etc must have some sort of input/output compensation that I would need to replicate in order to have a more uniform sound across the board?</li><li>Is this just subjective and /or not possible?</li></ul><div><br></div><div>Thanks for any ideas ...</div></div><br><div>
<div style="word-wrap: break-word; -webkit-nbsp-mode: space; -webkit-line-break: after-white-space; "><div>--------</div><div>Dan Wilcox</div><div><a href="http://danomatika.com">danomatika.com</a></div><div><a href="http://robotcowboy.com">robotcowboy.com</a></div><div><br></div></div><br class="Apple-interchange-newline"><br class="Apple-interchange-newline">
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