>I know I read the spectral mapping technique he uses,<div>>but I didn't really understand how it works.<br><br></div><div>me neither, guess he didn't really explained it wel...</div><div><br></div><div>cheers</div>
<div><br></div><div><br><div class="gmail_quote">2010/4/2 Charles Henry <span dir="ltr"><<a href="mailto:czhenry@gmail.com">czhenry@gmail.com</a>></span><br><blockquote class="gmail_quote" style="margin:0 0 0 .8ex;border-left:1px #ccc solid;padding-left:1ex;">
There's a method of tuning partials that William Sethares uses in his<br>
compositionss and he talks about it in his book Tuning Timbre Spectrum<br>
Scale.<br>
<br>
Specifically, he was also using inharmonic instruments which would be<br>
arranged into consonant scales, and the similar problem of using<br>
arbitrary scales with inharmonic spectra to fit with least dissonance.<br>
I know I read the spectral mapping technique he uses, but I didn't<br>
really understand how it works.<br>
<div><div></div><div class="h5"><br>
On Fri, Apr 2, 2010 at 2:38 PM, Alexandre Porres <<a href="mailto:porres@gmail.com">porres@gmail.com</a>> wrote:<br>
> Hi folks,<br>
> I'd lke to distort a sound spectrum by transposing partials the way I want.<br>
> Like making the spectrum more inharmonic or harmonic.<br>
> Anyone done something similar?<br>
> What kind of processing should I use?<br>
> I was thinking that maybe a Phase Vocoder, where you could control the<br>
> frequency separately, huh!?!? Anyone did this by the way?<br>
> thanks a lot<br>
> Alex<br>
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