Here&#39;s a valuable document which i hope will prove helpful:<br><a href="http://www.submusica.com/uploads/lee_perry1.jpg">http://www.submusica.com/uploads/lee_perry1.jpg</a><br><br>Cheers!<br><br><div class="gmail_quote">
2010/10/28 Roman Haefeli <span dir="ltr">&lt;<a href="mailto:reduzent@gmail.com">reduzent@gmail.com</a>&gt;</span><br><blockquote class="gmail_quote" style="margin: 0pt 0pt 0pt 0.8ex; border-left: 1px solid rgb(204, 204, 204); padding-left: 1ex;">
<div class="im">On Thu, 2010-10-28 at 10:16 +0100, Marco Donnarumma wrote:<br>
&gt; Yes, check this:<br>
&gt;<br>
&gt; <a href="http://soundcloud.com/bemong/03-rhythm-sound-mango-drive" target="_blank">http://soundcloud.com/bemong/03-rhythm-sound-mango-drive</a><br>
&gt;<br>
&gt; well, the whole tune, specially at 3&#39; 05&quot;<br>
&gt; so those are the dub chords I&#39;m talking about :P<br>
&gt; Sorry for not specifying before,<br>
<br>
</div>I _love_ Rhythm&amp;Sound. His tracks are mastered in way that really<br>
deserves the term &quot;mastering&quot;.<br>
<br>
There is very much in it which makes the chords sound dubby. Many<br>
combinations of effect chains are competing with each other. I even<br>
think that many of the different chords are actually the same sound<br>
source passed through different fx chains.<br>
there is stuff like:<br>
<br>
source dry<br>
source -&gt; delay<br>
source -&gt; tape delay with frequency modulated<br>
source -&gt; reverb<br>
source -&gt; delay -&gt; reverb<br>
source -&gt; delay -&gt; phaser<br>
<br>
I wouldn&#39;t be surprised if within some of those chains even dynamic<br>
compressors were inserted.<br>
<br>
I think organ-like sounds are a good start for a source, but filtered<br>
phasor chords most certainly will do well either.<br>
<br>
I made some tracks done with the netpd instruments/effects trying to go<br>
into a similar techno dub oriented direction:<br>
<a href="http://www.romanhaefeli.net/tracks/netpd/2006-03-06_50cm_schnee.mp3" target="_blank">http://www.romanhaefeli.net/tracks/netpd/2006-03-06_50cm_schnee.mp3</a><br>
<a href="http://www.romanhaefeli.net/tracks/netpd/2006-08-15_backup_blues.mp3" target="_blank">http://www.romanhaefeli.net/tracks/netpd/2006-08-15_backup_blues.mp3</a><br>
<br>
The chords/fx parts are mainly done  with:<br>
instruments: oxygen<br>
fx: rfxlib (mainly rodel and rphase), dynlib (dynamic processing<br>
library)<br>
<br>
The Mixer patch mx lets you create complex chains of fx, which I find is<br>
crucial for trying those dubby sounds.<br>
<br>
Cheers<br>
<font color="#888888">Roman<br>
</font><div class="im"><br>
<br>
<br>
&gt;<br>
&gt;         From: brandon zeeb &lt;<a href="mailto:zeeb.brandon@gmail.com">zeeb.brandon@gmail.com</a>&gt;<br>
&gt;         Subject: Re: [PD] dub chords in Pd<br>
&gt;         To: PD List &lt;<a href="mailto:pd-list@iem.at">pd-list@iem.at</a>&gt;<br>
&gt;         Message-ID:<br>
&gt;                &lt;AANLkTikiVQU9S2jP<br>
&gt;         +<a href="mailto:YBa55A68HjRW7Cti7ZrSSP6q7K_@mail.gmail.com">YBa55A68HjRW7Cti7ZrSSP6q7K_@mail.gmail.com</a>&gt;<br>
&gt;         Content-Type: text/plain; charset=&quot;iso-8859-1&quot;<br>
&gt;<br>
&gt;         There are many ways to peel that apple, can you post an<br>
&gt;         example of something<br>
&gt;         similar to what you&#39;re aiming for?<br>
&gt;<br>
&gt;         Cheers,<br>
&gt;         ~Brandon<br>
&gt;<br>
&gt;<br>
&gt;<br>
&gt; --<br>
&gt; Marco Donnarumma aka TheSAD<br>
&gt; Independent New Media Arts Professional, Performer, Teacher<br>
&gt; Ongoing MSc by Research, University of Edinburgh, UK<br>
&gt;<br>
&gt;<br>
&gt; PORTFOLIO: <a href="http://marcodonnarumma.com" target="_blank">http://marcodonnarumma.com</a><br>
&gt; LAB: <a href="http://www.thesaddj.com" target="_blank">http://www.thesaddj.com</a> | <a href="http://cntrl.sourceforge.net" target="_blank">http://cntrl.sourceforge.net</a> |<br>
&gt; <a href="http://www.flxer.net" target="_blank">http://www.flxer.net</a><br>
&gt; EVENT: <a href="http://www.liveperformersmeeting.net" target="_blank">http://www.liveperformersmeeting.net</a><br>
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