To Roman's suggestion, this works well. For the sake of your speakers and DSP chain, I'd add a [clip~ -1 1] to the end of that to be safe, and place that combo both right before the [delwrite~ dub] and on the output stream. <br>
<br>For the sake of maximum dub, use a [vd~] instead of a [delread~] and slowly apply modulation to the base index delay amount. Say, 500ms +/- 50 by modulating the base amount either with a periodic function or [lop~] filtered [noise~]. I've yet to try this, but in my head it seems dubby.<br>
<br>Brandon<br><br><div class="gmail_quote">On Fri, Oct 29, 2010 at 6:00 AM, Roman Haefeli <span dir="ltr"><<a href="mailto:reduzent@gmail.com">reduzent@gmail.com</a>></span> wrote:<br><blockquote class="gmail_quote" style="margin: 0pt 0pt 0pt 0.8ex; border-left: 1px solid rgb(204, 204, 204); padding-left: 1ex;">
<div class="im">On Fri, 2010-10-29 at 11:43 +0200, Derek Holzer wrote:<br>
<br>
</div><div class="im">> But one problem in Pd is that delay lines and filters tend to "blow up"<br>
> instead of saturate like the old school gear.<br>
<br>
</div>Good point. Real tape delays cannot blow up. Have you tried to put a<br>
tanh function in the feedback loop? Haven't tried myself, but I could<br>
imagine that it'll work.<br>
<font color="#888888"><br>
Roman<br>
</font><div><div></div><div class="h5"><br>
<br>
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