<table cellspacing="0" cellpadding="0" border="0" ><tr><td valign="top" style="font: inherit;">You're right, no one ever said that. Even me.<br><br>Did you actually look at the patch? It is a technological parody of record scratching. <br>It perfectly fits the definition given on this list. If you don't think so, then<br>please tell me what you can do with that patch that's so musically interesting that it <br>would warrant buying a modern digital computer instead of a turntable.<br><br>Of course the answer should be obvious: it's a technological parody which serves <br>as a brilliantly succinct example of the expressivity of Pd, and that's exactly what it <br>needs to be, because it's a tutorial.<br><br>And of course one criticism of the performance referred to in this thread should <br>be obvious, too, but isn't, because people start out with, "It's a technological parody," <br>and then stop writing. Which is what I did in
my sample message to Miller, which would <br>make it a waste of his time to read.<br><br>So the correct answer is: c.<br><br>-Jonathan<br><br>--- On <b>Wed, 6/22/11, Cody Loyd <i><codyloyd@gmail.com></i></b> wrote:<br><blockquote style="border-left: 2px solid rgb(16, 16, 255); margin-left: 5px; padding-left: 5px;"><br>From: Cody Loyd <codyloyd@gmail.com><br>Subject: Re: [PD] Pd performance at TED<br>To: pd-list@iem.at<br>Date: Wednesday, June 22, 2011, 8:32 PM<br><br><div id="yiv2095858529">I don't think anyone actually said that sampling was a technological parody. There are lots of things you can do with samples and loops that you wouldn't be able to do with whatever was being sampled.<br><br><div class="yiv2095858529gmail_quote">
On Wed, Jun 22, 2011 at 1:23 PM, Jonathan Wilkes <span dir="ltr"><<a rel="nofollow" ymailto="mailto:jancsika@yahoo.com" target="_blank" href="/mc/compose?to=jancsika@yahoo.com">jancsika@yahoo.com</a>></span> wrote:<br><blockquote class="yiv2095858529gmail_quote" style="margin:0 0 0 .8ex;border-left:1px #ccc solid;padding-left:1ex;">
<table border="0" cellpadding="0" cellspacing="0"><tbody><tr><td style="font:inherit;" valign="top">Dear Miller,<br>B07.sampler.pd is a technological parody.<br>Thanks,<br>Jonathan<br><br>Please tell me whether that means that a) Miller should remove that tutorial, <br>
b) he should revise it to be better, c) it's a waste of time for Miller to read it at all,<br>c) something else.<br><br>If you didn't choose a or b, then please explain how all of you can possibly be in <br>agreement about any kind of judgment, aesthetic or otherwise, or even <br>
understand the relevance of each other's responses, merely by referring to the <br>performance as a "technological parody".<br><br>-Jonathan<br><br>--- On <b>Wed, 6/22/11, Olivier Baudu <i><<a rel="nofollow" ymailto="mailto:lamouraupeuple@gmail.com" target="_blank" href="/mc/compose?to=lamouraupeuple@gmail.com">lamouraupeuple@gmail.com</a>></i></b> wrote:<br>
<blockquote style="border-left:2px solid rgb(16, 16, 255);margin-left:5px;padding-left:5px;"><br>From: Olivier Baudu <<a rel="nofollow" ymailto="mailto:lamouraupeuple@gmail.com" target="_blank" href="/mc/compose?to=lamouraupeuple@gmail.com">lamouraupeuple@gmail.com</a>><div class="yiv2095858529im">
<br>Subject: Re: [PD] Pd
performance at TED<br></div>To: "Hans-Christoph Steiner" <<a rel="nofollow" ymailto="mailto:hans@at.or.at" target="_blank" href="/mc/compose?to=hans@at.or.at">hans@at.or.at</a>><br>Cc: <a rel="nofollow" ymailto="mailto:pd-list@iem.at" target="_blank" href="/mc/compose?to=pd-list@iem.at">pd-list@iem.at</a>, "Marco Donnarumma" <<a rel="nofollow" ymailto="mailto:devel@thesaddj.com" target="_blank" href="/mc/compose?to=devel@thesaddj.com">devel@thesaddj.com</a>><br>
Date: Wednesday, June 22, 2011, 6:59 PM<div><div></div><div class="yiv2095858529h5"><br><br><div>Hi list,<br><br><div><blockquote style="margin:0pt 0pt 0pt 0.8ex;border-left:1px solid rgb(204, 204, 204);padding-left:1ex;">
Whether or not you like his music is a separate question, I think its<br>
very hard to refute that he has musical skill and talent with his<br>
instrument. And that is very rare with new interfaces for musical<br>
expression.<br>
<font color="#888888"><br>
.hc<br>
</font><div><div></div><br clear="all"></div></blockquote></div><br><br>I totally agree with you but only since he's explained how works his instrument...<br>It's pity that, on the video, the performance seems to show someone who's triggering some pre-recorded patterns...<br>
In that case, I was quite agree with the "technological parody" expression... :-p<br><br>But it's not... and, clearly, Onyx has to be congratulated.<br><br>Bravo.<br><br>01ivier.<br><br><br>-- <br>Envie de tisser ?<br>
<a rel="nofollow" target="_blank" href="http://yamatierea.org/papatchs/">http://yamatierea.org/papatchs/</a><br><br>
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