Totally agree with you. <br><br>A nice illustration of the importance of the context : One of the students in my school is from Kinshasa. He was in my office one day and i asked him if he knew Konono N°1. He said yes, i know them, they play a very traditional kind of music, they are invited to play at funerals. A few weeks later i told him that Konono was playing in Paris the next week-end. He looked surprized. He said there are dozens of other bands who play this kind of music in Congo. <br>
<br>The context always matters. We rarely invent anything at all. <br><br>Pierre<br><br><div class="gmail_quote">2011/6/23 Olivier Baudu <span dir="ltr"><<a href="mailto:lamouraupeuple@gmail.com">lamouraupeuple@gmail.com</a>></span><br>
<blockquote class="gmail_quote" style="margin: 0pt 0pt 0pt 0.8ex; border-left: 1px solid rgb(204, 204, 204); padding-left: 1ex;"><div class="im">>The fact that he created it on a sequencer in 97 and not on a drumkit in 1963 doesn't make any difference to me. <br>
<br></div>Ok, but could "beatjazz" be played in an other way than Onyx did ?<br>If "beatjazz" can't be triggered pre-record patterns, it's pity (for me) that the audience think it is...<br>
<br>By the way, if Flim had been created in 63 it would make a big difference for me...<br>The context of a creation matters, don't you think ?<br><br>Cheers...<div><div></div><div class="h5"><br><br>01ivier<br><br>-- <br>
Envie de tisser ?<br><a href="http://yamatierea.org/papatchs/" target="_blank">http://yamatierea.org/papatchs/</a><br>
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