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That was one thing I wasn't sure about, although it does help with the kind of 'passive listening' part, something like Cage or Glass, where there is a huge amount of repetition and the value of the piece is discovered over time, almost as a meditative process. It's not for everyone, but it does lend itself to computer music<br><br><div>> Subject: Re: [PD] Pd "monosymphonia"<br>> From: rolfm@dds.nl<br>> To: pd-list@iem.at<br>> CC: jbturgid@hotmail.com<br>> Date: Tue, 28 Jun 2011 01:04:45 +0200<br>> <br>> On Tue, 2011-06-28 at 00:16 +0200, pd-list-request@iem.at wrote:<br>> > <jbturgid@hotmail.com<br>> >This is probably because I created it on the mac, there may be a syntax<br>> >issue with other operating systems...<br>> [cut]<br>> 'it's just in the name'<br>> i copied the patch from the text attachment and gave it just a name.<br>> but it does a SEND to itself called buildGen, alas..<br>> <br>> so it worked.<br>> i find the concept interesting,<br>> this specific soundscape less.<br>> i guess because for hearing the development the waiting for the 'new'<br>> part gets everytime longer, while being obliged to sit through the 'old'<br>> parts again and again and again.<br>> <br>> rolf<br>> <br>> <br>> <br>> <br></div> </div></body>
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