<div>Dear all,<br><br>it's with great pleasure that I announce the release of the latest issue of the journal eContact!.<br>This issue, for which I've been Guest Editor, concentrates on Biotechnological Performance Practice.<br>
<br>Probably some of the author's name will find familiar to you :)<br>Thanks to all the contributors for bringing together a wonderful (and long-needed) collection of texts exploring this field.<font size="-1"><b><br>
</b></font><br>W/ Erich Berger, William Brent, Andrew Brouse, Corrado Cescon, yours truly, Cota Navin Gupta, Peter Kirn, R. Benjamin Knapp, Kiel Long, Pedro Lopes, Eric Lyon, Jaime E. Oliver, Miguel Ortiz, Gascia Ouzounian, Ramaswamy Palanappian, Claudia Robles, STELARC, Joe Stevens, Atau Tanaka, Valery Vermeulen, Peter Votava.<br>
<br>best wishes,<br>Marco<font size="-1"><b><br><br></b>~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~<b><br><br><br>PRESS RELEASE -- for immediate diffusion /
pour diffusion immédiate</b></font></div>
<div><font size="-1">Please forward at large.</font></div>
<div><br></div>
<div align="center"><font size="+1">Communauté électroacoustique
canadienne</font></div>
<div align="center"><font size="+1">(CEC) Canadian Electroacoustic
Community</font></div>
<div align="center"><font size="+1"><b><br></b></font></div>
<div align="center"><font size="+1"><b>eContact! 14.2 --
Biotechnological Performance Practice /</b></font></div>
<div align="center"><font size="+1"><b>Pratiques de performance
biotechnologique</b></font></div>
<div align="center">Guest Editor / Rédacteur invité: Marco
Donnarumma</div>
<div><br></div>
<div><br></div>
<div>[E] Biological technologies are computational systems driven by
physiological and corporeal processes of the body. Endogenous
mechanisms that would otherwise be imperceptible become manifest in
the form of data. The field of biotechnological music performance is
presented here through a set of fascinating articles describing
heterogeneous methodologies and idiosyncratic musical ideas. (July
2012)</div>
<div><a href="http://cec.sonus.ca/econtact/14_2" target="_blank">http://cec.sonus.ca/econtact/14_2</a></div>
<div><br></div>
<div>[F] Les technologies biologiques sont des systèmes
informatiques pilotés par des processus physiologiques et corporels.
Des mécanismes endogènes autrement imperceptibles deviennent
apparents, sous forme de données. Composé d'une série d'articles
fascinants décrivant des méthodologies hétérogènes et des
idées musicales idiosyncrasiques, ce numéro est une introduction
au domaine de la performance musicale biotechnologique. (juillet
2012)</div>
<div><a href="http://cec.sonus.ca/econtact/14_2/index_fr.html" target="_blank">http://cec.sonus.ca/econtact/14_2/index_fr.html</a></div><span class="HOEnZb"><font color="#888888">
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<pre>--
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<div><br>
Communauté électroacoustique canadienne (CEC) Canadian
Electroacoustic Community<br>
<a href="http://cec.sonus.ca" target="_blank">http://cec.sonus.ca</a> \|\ mailto:<a href="mailto:cec@sonus.ca" target="_blank">cec@sonus.ca</a><br>
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</div>
</font></span>
<br clear="all"><br>-- <br>Marco Donnarumma<br>New Media + Sonic Arts Practitioner, Performer, Teacher, Director.<br>ACE, Sound Design MSc by Research (ongoing)<br>The University of Edinburgh, UK<br>~~~~~~~~~~~~~~~~~~~~~~~~~~~~~<br>
Portfolio: <a href="http://marcodonnarumma.com/" target="_blank">http://marcodonnarumma.com</a><br>Research: <a href="http://res.marcodonnarumma.com/" target="_blank">http://res.marcodonnarumma.com</a> | <a href="http://www.thesaddj.com/" target="_blank">http://www.thesaddj.com</a> | <a href="http://www.flxer.net/" target="_blank">http://www.flxer.net</a><br>
Director: <a href="http://www.liveperformersmeeting.net/" target="_blank">http://www.liveperformersmeeting.net</a><br>