<div dir="ltr"><div>for sample-and-hold, as it is usually implemented for pitch in a synth, you actually don't even NEED to use the samphold~ object! you can just use a metro to simulate the clock, and then a random to simulate the noise input (that's what was usually used for synth sample and hold madness). </div><div><br></div><div><br></div><div>[metro 125]</div><div>|</div>[random 5000]<div>|</div><div>[/ 100] <br>|<div>[+ 40] </div><div>|</div><div>[mtof]</div><div>|</div><div>[phasor~]<br>|</div><div>[*~ 2]</div><div>|</div><div>[-~ 1]</div><div><br></div><div>likewise, you can use the same process for sample and hold on a filter by just adding a short [line~ 10] after the [mtof] and feeding that into the 2nd inlet of [vcf~]</div></div><div><br></div><div>or of course, you could run one process on the pitch and another on the filter, but just make sure to use a slightly different random number base to make them independent, </div><div><br></div><div><br></div></div><div class="gmail_extra"><br><div class="gmail_quote">On Thu, Apr 16, 2015 at 10:37 AM, William Huston <span dir="ltr"><<a href="mailto:williamahuston@gmail.com" target="_blank">williamahuston@gmail.com</a>></span> wrote:<br><blockquote class="gmail_quote" style="margin:0 0 0 .8ex;border-left:1px #ccc solid;padding-left:1ex"><div dir="ltr"><div><div><div>As I understand it, a classic sample and hold <br>is capturing the instantaneous input voltage <br>of an incoming signal, and remembering it. <br><br> [metro 5]<br></div>[adc~] <br>|/ <br>[snapshot~] <br>|<br>[f]<br><br></div>The [metro 5] is also banging on the [snapshot~]'s hot inlet <br>with [adc~] if want samples at 5ms intervals. <br><br></div><div>However, these days, in my own mind at least,<br></div><div>I think about "sample and hold" as meaning,<br></div><div>"read a few seconds of audio from a source<br></div><div>into a memory, and loop it." I don't know if others<br></div><div>think this way also. <br><br></div><div>That would be a more complex circuit. <br></div><div><br></div><div>BH<br></div><div><br></div><div><br><br></div><div><div><div><br></div></div></div></div><div class="gmail_extra"><br><div class="gmail_quote"><div><div class="h5">On Wed, Apr 15, 2015 at 6:36 PM, Pagano, Patrick <span dir="ltr"><<a href="mailto:pat@digitalworlds.ufl.edu" target="_blank">pat@digitalworlds.ufl.edu</a>></span> wrote:<br></div></div><blockquote class="gmail_quote" style="margin:0 0 0 .8ex;border-left:1px #ccc solid;padding-left:1ex"><div><div class="h5">
<div dir="ltr" style="font-size:12pt;color:#000000;background-color:#ffffff;font-family:Calibri,Arial,Helvetica,sans-serif">
<p>Hello Everyone</p>
<p><br>
</p>
<p>I am wondering if people would be willing if they have an example of Sample and Hold to use for a project i am working on.</p>
<p>I am interested in the classic sounding Sample and Hold insanity please share a patch if you have one so i may learn on how to make one properly</p>
<p>the one in the help files is not the kind i am talking about</p>
<p><br>
</p>
<p>i hope this makes sense</p>
<p><br>
</p>
<p>pp<br>
</p>
<p><br>
</p>
<div>
<div style="font-family:Tahoma;font-size:13px">
<div><font size="3"><i>Patrick Pagano B.S, M.F.A</i></font></div>
<div>Audio and Projection Design Faculty</div>
<div>Digital Worlds Institute</div>
<div>University of Florida, USA</div>
<div><a href="tel:%28352%29294-2020" value="+13522942020" target="_blank">(352)294-2020</a></div>
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