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<div class="moz-cite-prefix">Well, one could write a book about how
to make a triangle wave. I've decided it's impossible.<br>
<br>
On 2/15/16 8:24 AM, Alexandre Torres Porres wrote:<br>
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<div dir="ltr">I still believe differences between Pd and SC
depend on other technical details than the ones presented,
because similar objects like triangle~ and VarSaw will just
sound quite differently, hence it may rely on subtleties inside
the objects themselves. And I'm not talking about the "cultural"
use which is something I believe makes quite a difference even
in the Pd x Max world (when they both sound quite similar).
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<div>cheers</div>
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<div class="gmail_extra"><br>
<div class="gmail_quote">2016-02-15 13:54 GMT-02:00 Andy Farnell
<span dir="ltr"><<a moz-do-not-send="true"
href="mailto:padawan12@obiwannabe.co.uk" target="_blank">padawan12@obiwannabe.co.uk</a>></span>:<br>
<blockquote class="gmail_quote" style="margin:0 0 0
.8ex;border-left:1px #ccc solid;padding-left:1ex"><br>
Good list of technical peculiarities Claude. For me, the
"sound" is those<br>
quirks combined with how Chris describes a "cultural" or
"contextual" use.<br>
I used to be great at knowing the sound of software or
hardware sources<br>
and could spot Reaktor, or a Roland analogue in moments. But
emulations<br>
got better and my ears got older, and maybe I began to care
less about<br>
implementation and more about artistic intent. As Chris
says,<br>
different tools tend to make you think and work in certain
patterns,<br>
and I think it is this more than anything that constitutes a
"sound".<br>
<br>
cheers<br>
<span class="HOEnZb"><font color="#888888">Andy<br>
</font></span>
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