[PD-announce] [Call for Proposals Extended] KEAMSAC2014 & Computer Music Journal Emille Vol. 12

Sat Feb 8 15:46:29 CET 2014

In response to requests from the community, the submission deadline
for the call for proposal has been extended until the 15th of
Feburary, 2014.
======================================================================
Begin forwarded message:

> From: PyoungRyang Ko <pyoungryang.ko at googlemail.com>
> Subject: [Call for Proposals] KEAMSAC2014 & Computer Music Journal Emille Vol. 12
> Date: January 14, 2014 at 1:44:33 AM GMT+9
> 
> Dear Sir and Madam,
> 
> I would be very grateful to you if you could circulate the following announcement to all who may be interested.
> Please visit the following website for further information:
> http://keams.org/emille/
> 
> Sincerely yours,
> PyoungRyang Ko
> 
> 
> ––––––––––––––––––––––––––––––––––––––––––––––––––––––––––––––––––––––––––––––––––––––––––––––––
> [Call for Proposals] Korean Electro-Acoustic Music Society's 2014 Annual Conference & its Computer Music Journal, Emille Vol. 12
> ––––––––––––––––––––––––––––––––––––––––––––––––––––––––––––––––––––––––––––––––––––––––––––––––
> 
> The Korean Electro-Acoustic Music Society's 2014 Annual Conference & its Computer Music Journal, Emille, present:
>  
>  
>  
> Call for Proposals
>  
>  
> The Korean Electro-Acoustic Music Society (KEAMS) is pleased to announce a call for proposals for the 2014 KEAMS annual Conference and its journal Emille. KEAMS was formed to promote active research and discussion on electro-acoustic and computer music, and will hold the this year's conference during the Seoul International Computer Music Festival (SICMF 2014: http://www.computermusic.or.kr/) from October 6th to 9th, 2014. Selected papers from the conference will be published in Emille Vol. 12 (December, 2014). If you want your paper or workshop idea to be considered for the 2014 KEAMS Conference, please send an abstract or proposal (maximum of 2,000-characters including spaces) and curriculum vitae as PDF documents to <emille[at]keams.org>.
>  
> Conference Language
> English
>  
> Category of Topics
> For the KEAMS conference, the following topics are encouraged:
> a) Creative Encounters between Music and Science
> b) Multidisciplinary or Interdisciplinary Research (co-authors acceptable)
> c) Systematic Musicology (Computational Musicology, Computational Music Theory)
> d) Analysis of Electronic and Computer-based Music
> e) Sound Synthesis
> f) Music Psychology
> g) Instrumentation
> h) Development of electronically-extended Musical Instruments
> i) Music Software Engineering
> j) Artificial Musical Intelligence
> k) Computer-aided Composition/Analysis
> l) Automatic Composition
> m) Aesthetics
> etc.
>  
> Important Dates
> - Deadline for Proposal Submission:	February 5, 2014
> - Notification of Acceptance of the Proposal:	March 1, 2014
> - Deadline for Paper Submission before Conference:	August 31, 2014
> - Conference:	October 8-9, 2014
> - Notification of Selected Paper for the Journal Emille: 	October 15, 2014
> - Deadline for Final Paper Submission:	November 10, 2014
>  
> SESSION FORMATS
> Each session will consist of up to four presentations. Each paper will be presented in person for about 25 minutes followed by ca. 5 minutes of discussion. If you want to give a keynote presentation, you will be given about 50 minutes to present, followed by ca. 10 minutes of discussion. Please include the word keynote in your submission if you are planning on applying for a keynote presentation. The length ofeach workshop will be about 90 minutes. Video conferencing over the Internet is also available.
>  
> Your ideas are critical in making the conference and Emille enriching, important and substantial. We look forward to reviewing everyone's entry.
>   
>  
> As demonstrated by the following examples, participants may submit more than two proposals, making a whole presentation session or an additional workshop session:
>  
> Example 1:          Presentation Session Plan *
> Session
> Sample topic: Spatialization
> (4 x 30 min. = 25 min. presentation + 5 min. Q&A)
> Presentation 1
> Spatialization methods using less than 8 channels
> Presentation 2
> An overview of the design of a Loudspeaker Orchestra
> Presentation 3
> Applications of Ambisonics and Spherical Acoustics
> Presentation 4
> A proposal of multi-3D audio reproduction system for the multi-functional concert hall
> * You may submit several proposals without a session plan.
>  
> Example 2:          Workshop Session Plan ** 
> Session
> Sample topic: Using controllers for composition and acoustic installations
> (3 X 90 min.)
> Workshop 1
> Controllers using various sensors and Arduino
> Workshop 2
> Use of Smartphones and Tablet PCs as controllers
> Workshop 3
> Inter-application uses of Controllers
> (Using Processing to Control Csound, MaxMSP, PD and SuperCollider)
> ** You may submit a single proposal for a workshop. You also may submit multiple proposals for individual workshops without a session plan.
>  
>  
> Fees
> Thanks to funding from the Korean Arts Council, the registration fee and publication fee will be waived.
>  
>  
> It is also possible for students and non-experts in the fields mentioned above to submit proposals for the conference and the journal, Emille. All proposals will be screened by the program committee and selected solely based on the quality of the research and topic.
>  
> Your ideas are critical in making the conference and Emille enriching, important and substantial. We look forward to reviewing everyone's entry.
>  
>  
>  
> Emille, the Journal of the Korean Electro-Acoustic Music Society
> http://www.keams.org/emille/
>  
>  
> Editorial Information
>  
> Committee Chair / Editor in Chief
> Lymn, Young-Mee
> Lecturer of Computer Music and Music Theory at Hanyang University etc.
>  
> Committee / Editor
> Ko, PyoungRyang
> Lecturer of Computer Music and Music Theory at Sookmyung Women's University and Kwangwoon University
>  
> Committee / Editorial Board
> Breitenfeld, Roland
> Professor of Composition and Computer Music at Seoul National University
> Chang, Jaeho
> Professor of Music Technology at Korea National University of Arts
> Cho, Jinok
> Lecturer of Music Theory and Computer Music at Seoul National University, Chung-Ang University etc.
> Cho, Youngmi
> Lecturer of Computer Music & Music Theory at Pyeongtaek University etc.
> Dudas, Richard
> Professor of Composition and Computer Music at Hanyang University
> Eckert, Gerald
> Professor of Composition at Chung-Ang University
> Kang, Joong Hoon
> Lecturer of Composition and Computer Music at Yonsei University etc.
> Kim, Han Shin
> Lecturer of Computer Music at Seoul Institute of the Arts
> Kim, Jin-Ho
> Professor of Composition, Computer Music and Musicology at Andong National University
> Kim, Jun
> Professor of Musical Arts and Technology, Dongguk University
> Lee, Byung-moo
> Lecturer of Composition, Music Theory & Computer Music at Chugye University for the Arts etc.
> Lee, Gi Nyoung
> Professor of Composition at Dong-eui University
> Lee, Kyogu (2011-2012)
> Professor of Music Information Retrieval, Music DSP at Seoul National University
> Moon, Seong-Joon
> Professor of Composition and Computer Music at Chugye University for the Arts
> Nam, Unjung
> Professor of Computer Music at Baekseok Arts University
> Park, Joo Won
> Community College of Philadelphia
> Park, Tae Hong
> New York University
> Parks, Kevin
> Professor of Composition and Computer Music at the Catholic University of Daegu
> Shin, Seongah
> Professor of Composition at Keimyung University
> Sigman, Alexander
> Professor of Composition at Keimyung University
> Yeo, Woon Seung (2011-2013)
> Professor of Audio visual art, New Musical Interface, Mobile Orchestra and Music DSP at Korea Advanced Institute of Science and Technology (KAIST)
>  
> Committee / Editorial Advisory Board
> Ahn, Doo-jin
> Professor of Composition at Hanseo University
> Hwang, Sung Ho
> Professor of Composition at Korea National University of Arts
> Lee, Donoung
> Professor of Composition at Seoul National University
> Cho, Wonhyong
> Linguist (Former Researcher at the National Institute of the Korean Language)
> 

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