[PD-cvs] abstractions/rradical/doc rradicalpd.html,1.2,1.3 rradicalpd.pdf,1.2,1.3 rradicalpd.rst,1.2,1.3 rradicalpd.tex,1.2,1.3
Frank Barknecht
fbar at users.sourceforge.net
Sat Oct 9 17:09:49 CEST 2004
Update of /cvsroot/pure-data/abstractions/rradical/doc
In directory sc8-pr-cvs1.sourceforge.net:/tmp/cvs-serv20548/doc
Modified Files:
rradicalpd.html rradicalpd.pdf rradicalpd.rst rradicalpd.tex
Log Message:
some new, some changed.
Index: rradicalpd.html
===================================================================
RCS file: /cvsroot/pure-data/abstractions/rradical/doc/rradicalpd.html,v
retrieving revision 1.2
retrieving revision 1.3
diff -C2 -d -r1.2 -r1.3
*** rradicalpd.html 26 Jun 2004 12:19:43 -0000 1.2
--- rradicalpd.html 9 Oct 2004 15:09:47 -0000 1.3
***************
*** 29,33 ****
the design of this system, a way to save state flexibly in Pd
(persistence) had to be developed. For communication among each other
! the RRADical patches integrates the Open Sound Control protocol.</p>
</div>
<div class="section" id="what-it-takes-to-be-a-rradical">
--- 29,33 ----
the design of this system, a way to save state flexibly in Pd
(persistence) had to be developed. For communication among each other
! the RRADical patches integrate the Open Sound Control protocol.</p>
</div>
<div class="section" id="what-it-takes-to-be-a-rradical">
***************
*** 57,61 ****
Pd the cutoff slider even can be made visible when using that abstraction in
another patch. The new filter abstraction now carries its own GUI and is
! immediatly ready to be used.</p>
<p>Of course the GUI-filter is a rather simple example (although already quite
useful). But building a graphical note sequencer with 32 sliders and 32
--- 57,61 ----
Pd the cutoff slider even can be made visible when using that abstraction in
another patch. The new filter abstraction now carries its own GUI and is
! immediately ready to be used.</p>
<p>Of course the GUI-filter is a rather simple example (although already quite
useful). But building a graphical note sequencer with 32 sliders and 32
***************
*** 91,99 ****
appearance, they are not saved as part of the file which specifies the
patch and will be forgotten when the patch is reloaded.</blockquote>
- <p>(I'll show an example of a float object changing "state" by a message in
- its right inlet here.)</p>
<p>Still, in a musician's practice some kind of persistence turns out to be an
! important feature, that many Pd beginners do miss. And as soon as patched
! start to use lots of graphical control objects, users will - and should -
play around with different settings until they find some combination they
like. But unless a way to save this combination for later use is found, all
--- 91,97 ----
appearance, they are not saved as part of the file which specifies the
patch and will be forgotten when the patch is reloaded.</blockquote>
<p>Still, in a musician's practice some kind of persistence turns out to be an
! important feature, that many Pd beginners do miss. And as soon as a patch
! starts to use lots of graphical control objects, users will - and should -
play around with different settings until they find some combination they
like. But unless a way to save this combination for later use is found, all
***************
*** 199,204 ****
A man, suffering from short-term memory loss, uses notes and tattoos to
hunt down his wife's killer.</blockquote>
- <p>Here's a scene from "Memento":</p>
- <p><img alt="memento.png" src="memento.png" /></p>
<p>The movie's main character Leonard has a similar problem as Pd: he cannot
remember things. To deal with his persistence problem, his inability to save
--- 197,200 ----
***************
*** 254,258 ****
user should not read or write the contents of <tt class="literal"><span class="pre">pool</span> <span class="pre">RRADICAL</span></tt> directly.
The <tt class="literal"><span class="pre">originator</span></tt> patch also handles the border crossing through OSC
! messages by it's rightmost inlet. The patch accepts two mandatory
arguments: The first on is the name under which this patch is to be stored
inside the <tt class="literal"><span class="pre">pool</span></tt> data. Each <tt class="literal"><span class="pre">originator</span> <span class="pre">SomeName</span> <span class="pre">secondarg</span></tt> stores
--- 250,254 ----
user should not read or write the contents of <tt class="literal"><span class="pre">pool</span> <span class="pre">RRADICAL</span></tt> directly.
The <tt class="literal"><span class="pre">originator</span></tt> patch also handles the border crossing through OSC
! messages by its rightmost inlet. The patch accepts two mandatory
arguments: The first on is the name under which this patch is to be stored
inside the <tt class="literal"><span class="pre">pool</span></tt> data. Each <tt class="literal"><span class="pre">originator</span> <span class="pre">SomeName</span> <span class="pre">secondarg</span></tt> stores
***************
*** 351,355 ****
<p>I already developed a growing number of patches that follow the RRADical
paradigm, among these are a complex pattern sequencer, some synths and
! effects and more. All those are available in the Pure data CVS, which
currently lives at <a class="reference" href="http://pure-data.sourceforge.net">pure-data.sourceforge.net</a> in the directory
"abstractions/rradical".
--- 347,351 ----
<p>I already developed a growing number of patches that follow the RRADical
paradigm, among these are a complex pattern sequencer, some synths and
! effects and more. All those are available in the Pure Data CVS, which
currently lives at <a class="reference" href="http://pure-data.sourceforge.net">pure-data.sourceforge.net</a> in the directory
"abstractions/rradical".
***************
*** 370,374 ****
possibility to prepare parts of a musical story in advance and to "design"
those pieces. It was like being forced to write a book without having access
! to a sheet of paper (or a harddisk nowadays). This has change: having
"paper" in great supply now has made it possible to "write" pieces of art,
to "remember" what was good and what rather should not be repeated, to
--- 366,370 ----
possibility to prepare parts of a musical story in advance and to "design"
those pieces. It was like being forced to write a book without having access
! to a sheet of paper (or a harddisk nowadays). This has changed: having
"paper" in great supply now has made it possible to "write" pieces of art,
to "remember" what was good and what rather should not be repeated, to
***************
*** 379,383 ****
patches directly can be used by novices as they are created just like any
other patch, but they already provide sound creation and GUI elements that
! the students can use immediatly to create more satisfactory sounds that the
sine waves used as standard examples in basic Pd tutorials. With a grown
proficiency the students later can dive into the internals of a RRADical
--- 375,379 ----
patches directly can be used by novices as they are created just like any
other patch, but they already provide sound creation and GUI elements that
! the students can use immediately to create more satisfactory sounds that the
sine waves used as standard examples in basic Pd tutorials. With a grown
proficiency the students later can dive into the internals of a RRADical
Index: rradicalpd.tex
===================================================================
RCS file: /cvsroot/pure-data/abstractions/rradical/doc/rradicalpd.tex,v
retrieving revision 1.2
retrieving revision 1.3
diff -C2 -d -r1.2 -r1.3
*** rradicalpd.tex 26 Jun 2004 12:19:45 -0000 1.2
--- rradicalpd.tex 9 Oct 2004 15:09:47 -0000 1.3
***************
*** 68,72 ****
the design of this system, a way to save state flexibly in Pd
(persistence) had to be developed. For communication among each other
! the RRADical patches integrates the Open Sound Control protocol.
--- 68,72 ----
the design of this system, a way to save state flexibly in Pd
(persistence) had to be developed. For communication among each other
! the RRADical patches integrate the Open Sound Control protocol.
***************
*** 104,108 ****
Pd the cutoff slider even can be made visible when using that abstraction in
another patch. The new filter abstraction now carries its own GUI and is
! immediatly ready to be used.
Of course the GUI-filter is a rather simple example (although already quite
--- 104,108 ----
Pd the cutoff slider even can be made visible when using that abstraction in
another patch. The new filter abstraction now carries its own GUI and is
! immediately ready to be used.
Of course the GUI-filter is a rather simple example (although already quite
***************
*** 166,175 ****
\end{quote}
- (I'll show an example of a float object changing ``state'' by a message in
- its right inlet here.)
-
Still, in a musician's practice some kind of persistence turns out to be an
! important feature, that many Pd beginners do miss. And as soon as patched
! start to use lots of graphical control objects, users will - and should -
play around with different settings until they find some combination they
like. But unless a way to save this combination for later use is found, all
--- 166,172 ----
\end{quote}
Still, in a musician's practice some kind of persistence turns out to be an
! important feature, that many Pd beginners do miss. And as soon as a patch
! starts to use lots of graphical control objects, users will - and should -
play around with different settings until they find some combination they
like. But unless a way to save this combination for later use is found, all
***************
*** 312,319 ****
\end{quote}
- Here's a scene from ``Memento'':
-
- \includegraphics{memento.png}
-
The movie's main character Leonard has a similar problem as Pd: he cannot
remember things. To deal with his persistence problem, his inability to save
--- 309,312 ----
***************
*** 378,382 ****
user should not read or write the contents of \texttt{pool RRADICAL} directly.
The \texttt{originator} patch also handles the border crossing through OSC
! messages by it's rightmost inlet. The patch accepts two mandatory
arguments: The first on is the name under which this patch is to be stored
inside the \texttt{pool} data. Each \texttt{originator SomeName secondarg} stores
--- 371,375 ----
user should not read or write the contents of \texttt{pool RRADICAL} directly.
The \texttt{originator} patch also handles the border crossing through OSC
! messages by its rightmost inlet. The patch accepts two mandatory
arguments: The first on is the name under which this patch is to be stored
inside the \texttt{pool} data. Each \texttt{originator SomeName secondarg} stores
***************
*** 511,515 ****
I already developed a growing number of patches that follow the RRADical
paradigm, among these are a complex pattern sequencer, some synths and
! effects and more. All those are available in the Pure data CVS, which
currently lives at \href{http://pure-data.sourceforge.net}{pure-data.sourceforge.net} in the directory
``abstractions/rradical''.
--- 504,508 ----
I already developed a growing number of patches that follow the RRADical
paradigm, among these are a complex pattern sequencer, some synths and
! effects and more. All those are available in the Pure Data CVS, which
currently lives at \href{http://pure-data.sourceforge.net}{pure-data.sourceforge.net} in the directory
``abstractions/rradical''.
***************
*** 535,539 ****
possibility to prepare parts of a musical story in advance and to ``design''
those pieces. It was like being forced to write a book without having access
! to a sheet of paper (or a harddisk nowadays). This has change: having
``paper'' in great supply now has made it possible to ``write'' pieces of art,
to ``remember'' what was good and what rather should not be repeated, to
--- 528,532 ----
possibility to prepare parts of a musical story in advance and to ``design''
those pieces. It was like being forced to write a book without having access
! to a sheet of paper (or a harddisk nowadays). This has changed: having
``paper'' in great supply now has made it possible to ``write'' pieces of art,
to ``remember'' what was good and what rather should not be repeated, to
***************
*** 545,549 ****
patches directly can be used by novices as they are created just like any
other patch, but they already provide sound creation and GUI elements that
! the students can use immediatly to create more satisfactory sounds that the
sine waves used as standard examples in basic Pd tutorials. With a grown
proficiency the students later can dive into the internals of a RRADical
--- 538,542 ----
patches directly can be used by novices as they are created just like any
other patch, but they already provide sound creation and GUI elements that
! the students can use immediately to create more satisfactory sounds that the
sine waves used as standard examples in basic Pd tutorials. With a grown
proficiency the students later can dive into the internals of a RRADical
Index: rradicalpd.rst
===================================================================
RCS file: /cvsroot/pure-data/abstractions/rradical/doc/rradicalpd.rst,v
retrieving revision 1.2
retrieving revision 1.3
diff -C2 -d -r1.2 -r1.3
*** rradicalpd.rst 26 Jun 2004 12:19:45 -0000 1.2
--- rradicalpd.rst 9 Oct 2004 15:09:47 -0000 1.3
***************
*** 13,17 ****
the design of this system, a way to save state flexibly in Pd
(persistence) had to be developed. For communication among each other
! the RRADical patches integrates the Open Sound Control protocol.
--- 13,17 ----
the design of this system, a way to save state flexibly in Pd
(persistence) had to be developed. For communication among each other
! the RRADical patches integrate the Open Sound Control protocol.
***************
*** 45,49 ****
Pd the cutoff slider even can be made visible when using that abstraction in
another patch. The new filter abstraction now carries its own GUI and is
! immediatly ready to be used.
Of course the GUI-filter is a rather simple example (although already quite
--- 45,49 ----
Pd the cutoff slider even can be made visible when using that abstraction in
another patch. The new filter abstraction now carries its own GUI and is
! immediately ready to be used.
Of course the GUI-filter is a rather simple example (although already quite
***************
*** 86,95 ****
patch and will be forgotten when the patch is reloaded.
- (I'll show an example of a float object changing "state" by a message in
- its right inlet here.)
-
Still, in a musician's practice some kind of persistence turns out to be an
! important feature, that many Pd beginners do miss. And as soon as patched
! start to use lots of graphical control objects, users will - and should -
play around with different settings until they find some combination they
like. But unless a way to save this combination for later use is found, all
--- 86,92 ----
patch and will be forgotten when the patch is reloaded.
Still, in a musician's practice some kind of persistence turns out to be an
! important feature, that many Pd beginners do miss. And as soon as a patch
! starts to use lots of graphical control objects, users will - and should -
play around with different settings until they find some combination they
like. But unless a way to save this combination for later use is found, all
***************
*** 212,218 ****
hunt down his wife's killer.
- Here's a scene from "Memento":
-
- .. image:: memento.png
The movie's main character Leonard has a similar problem as Pd: he cannot
--- 209,212 ----
***************
*** 273,277 ****
user should not read or write the contents of ``pool RRADICAL`` directly.
The ``originator`` patch also handles the border crossing through OSC
! messages by it's rightmost inlet. The patch accepts two mandatory
arguments: The first on is the name under which this patch is to be stored
inside the ``pool`` data. Each ``originator SomeName secondarg`` stores
--- 267,271 ----
user should not read or write the contents of ``pool RRADICAL`` directly.
The ``originator`` patch also handles the border crossing through OSC
! messages by its rightmost inlet. The patch accepts two mandatory
arguments: The first on is the name under which this patch is to be stored
inside the ``pool`` data. Each ``originator SomeName secondarg`` stores
***************
*** 382,386 ****
I already developed a growing number of patches that follow the RRADical
paradigm, among these are a complex pattern sequencer, some synths and
! effects and more. All those are available in the Pure data CVS, which
currently lives at pure-data.sourceforge.net_ in the directory
"abstractions/rradical".
--- 376,380 ----
I already developed a growing number of patches that follow the RRADical
paradigm, among these are a complex pattern sequencer, some synths and
! effects and more. All those are available in the Pure Data CVS, which
currently lives at pure-data.sourceforge.net_ in the directory
"abstractions/rradical".
***************
*** 404,408 ****
possibility to prepare parts of a musical story in advance and to "design"
those pieces. It was like being forced to write a book without having access
! to a sheet of paper (or a harddisk nowadays). This has change: having
"paper" in great supply now has made it possible to "write" pieces of art,
to "remember" what was good and what rather should not be repeated, to
--- 398,402 ----
possibility to prepare parts of a musical story in advance and to "design"
those pieces. It was like being forced to write a book without having access
! to a sheet of paper (or a harddisk nowadays). This has changed: having
"paper" in great supply now has made it possible to "write" pieces of art,
to "remember" what was good and what rather should not be repeated, to
***************
*** 414,418 ****
patches directly can be used by novices as they are created just like any
other patch, but they already provide sound creation and GUI elements that
! the students can use immediatly to create more satisfactory sounds that the
sine waves used as standard examples in basic Pd tutorials. With a grown
proficiency the students later can dive into the internals of a RRADical
--- 408,412 ----
patches directly can be used by novices as they are created just like any
other patch, but they already provide sound creation and GUI elements that
! the students can use immediately to create more satisfactory sounds that the
sine waves used as standard examples in basic Pd tutorials. With a grown
proficiency the students later can dive into the internals of a RRADical
Index: rradicalpd.pdf
===================================================================
RCS file: /cvsroot/pure-data/abstractions/rradical/doc/rradicalpd.pdf,v
retrieving revision 1.2
retrieving revision 1.3
diff -C2 -d -r1.2 -r1.3
Binary files /tmp/cvsVJ2ZcY and /tmp/cvsqlht8f differ
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