Performance organizing [Was: Re: [PD] open/closing patch]
Matthew Nish-Lapidus
mattn-l at rogers.com
Tue Nov 4 00:02:31 CET 2003
i have one set of abstractions that i use for all my performance..
usually i build the patch out of those abstractions before the
performance based on how i want to play that specific show. to account
for different songs needing different things i usually choose to
simplify/interperate the song to match the patch that i'm using. i
don't worry too much about having the performance sounds like the
recording, as long as it's interesting and engaging then it doesn't
matter if this sound is a little different than that sound....
i do use pd exclusively for performance because of the flexibility ...
there is the occasional millisecond dropout, but that's just the nature
of electronic music performance right now. i find on os x using the
-rt flag helps to reduce dropouts due to gui activity.
matt.
On 3-Nov-03, at 5:18 PM, Frank Barknecht wrote:
> Hallo,
> Luke Yelavich hat gesagt: // Luke Yelavich wrote:
>
>> At 06:55 AM 4/11/2003, Frank Barknecht wrote:
>>> I'd be interested in how the live performers here handle this. What
>>> do you do when you have to play for several hours? Do you just use
>>> one
>>> large patch with loads of abstractions that get [switch]ed on and
>>> off?
>>
>> I may be trying to do the same thing soon, so if anybody is
>> interested, I
>> will post the patch.
>
> Was this patch used for several pieces in those 20 minutes? At home I
> tend to use several patches, more like one patch per track. But this
> is hard to get on stage (not that I used Pd on stage yet), because you
> have to deal with loading times and possibly interruptions. So I
> wonder, if people tend to build special performance patches, how they
> cope with tracks that need highly different material.
>
> ciao
> --
> Frank Barknecht _ ______footils.org__
>
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/*
Matt Nish-Lapidus
www.ekran.org/mn-l
matt at ekran.org // mattn-l at rogers.com
"What's this fish doing in my ear?"
*/
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