[PD] oldschool rave synths

[Kyle Klipowicz]

Would you please be willing to share some examples of using the CSound
external with Pd? I have it, but have not really done much with it.

~Kyle

On 3/16/07, Chuckk Hubbard <badmuthahubbard at gmail.com> wrote:
> On 3/17/07, padawan12 <padawan12 at obiwannabe.co.uk> wrote:
> > On Fri, 16 Mar 2007 14:06:37 -0400
> > "Chuckk Hubbard" <badmuthahubbard at gmail.com> wrote:
> >
> >
> > > What what was?  The Csound opcode?
> >
> > No the book on stats for music applications.
>
> Alas, it is merely a probability textbook with a little more detail
> than the one we're using in class; it isn't geared towards music.
>
> > > I do think of it as overkill for synthesis purposes, but people use
> > > Csound for lots of other purposes.  I guess for algorithmic
> > > composition that kind of specificity is indispensible.
> >
> > I'd argue for its audio precision, but then it's not realtime (by design)
> > in the same way that Pd is. Not sure what control stuff you could do in
> > csound that you couldn't in Pd (?) Never really loved the score<->orchestra
> > dichotomy either, without that wall to negotiate I think you have more
> > freedom in instrument design and in generation.
>
> I love Csound for a bunch of reasons.  The score format is definitely
> not one of them.
> The csoundapi~ Pd object is awesome, though, and now supports multiple
> instances.  At the moment, I'm working with a 4-movement "microtonal"
> sonata I wrote with my Pd JIsequencer and translated to a Csound
> score.  I find it much easier to control synthesis and production with
> Csound.  I think just because it has higher-level stuff.  It's also
> older and has more contributors.  But I bet for most people the bottom
> line is whether they prefer to work with text or graphics.  I like
> both.
> I'm not sure why, but it seems like the Csound and Pd camps are almost
> mutually exclusive.
>
> -Chuckk
>
> --
> http://www.badmuthahubbard.com
>
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