[PD] throw~/catch~ headroom

[brandon zeeb]

Hey PD-List,

Has the throw~/catch~ system been designed to have a different available
headroom than standard [+~] and [*~] objects?

I've been designing a few polyphonic patches and have decided to use
throw~/catch~ instead of hard-wiring the summing bus.  I've found that when
the signal approaches 1.0, distortion occurs.  Has this been designed as
such for a reason?

Cheers,
~Brandon
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