[PD] pd-based procedural chord progression database..

[Kyle Klipowicz]

On the topic of all this music theory and harmonic discussion, I
realized that I need to expand my knowledge of this area.  I've played
piano/guitar/bassoon for some years, but never got deep into that rich
area of chord theory that seems to be on topic right now.

Is there any good (and free) online resource or lesson guide
(preferably interactive) that I could train myself with?  I just
started reading Machine Music by Robert Rowe, and this knowledge would
help me follow that text as well as the current discussion.

~Kyle

On 8/13/06, patco <megalegoland at yahoo.fr> wrote:
>
>
> Chuckk Hubbard <badmuthahubbard at gmail.com> a écrit :
> > maybe it would be possible to simply have a melodic part that
> >occasionally receives information about harmonic changes before the
> >harmonic part does
>
>
> In jazz music when we are accompagnating a melody,
>  we use voices, for example a chord with four tones
>
>  eg: C E G B
>
>  could be played with three other combinations:
>
>  E G B C, G B C E, and B C E G
>
>  The highest note of the voice would be the note used in the melody.
>  this example is one of the simpliest, we could also use the same way
>  with thirteen chords, with seven sounds instead of four sounds, then
>  there would have seven combinations for each chord.
>
>  In fact we can give any color we like to a melody, it just depend on
>  what kind of mode we are using for accompagnating it.
>
>  eg: in 'Autumn Leaves' the first note is the third of the first chord,
>  then it gives a sad color (minor third), but we can give another color
>  with using another chord, for example we could use G7 instead
>  of  Dm:
>
>  Dm - G7 - CM7 - FM7 - Bm7b5 - E7 - Am becomes
>  G7 -  C#° - FM7 - Bb7#5 -  Dm7 - Dm7M
>
>  and then the automn leaves melody would sound more 'myxolydian'.
>
>  Notice that some chords has to be modified for sounding better in that
> weird
>  harmonic context.
>
>  Patco.
>
>
>
>
>
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