[PD] Mixed works that uses interactive systems

[Vinicius Cesar]

Dear Pierre,

I mean machine listening as the retrieving of musical and sound
attributes through audio descriptors. From simple implementation like pitch
and envelop tracking to more complex methods involving audio descriptors
like MFCC, spectral centroid etc.  I'm looking for mixed works that makes
use of these type of process to create interaction between
instrumental writing and electroacoustic process.

On Sat, Mar 7, 2020 at 3:23 PM Pierre Alexandre <p.a.tremblay at hud.ac.uk>
wrote:

> Dear Vinicius
>
> There are a lot of works doing so indeed! Maybe if you define a threshold
> of what you considering machine listening, that would help me point at
> various works in various places?
>
> p
>
> > On 7 Mar 2020, at 18:10, Vinicius Cesar <oviniciusc.oliveira at gmail.com>
> wrote:
> >
> >
> > Hello,
> >
> > My name is Vinicius, I am a brazilian composer. I am currently working
> on a master research at the Estate University of Campinas in São Paulo,
> about compositional strategies and interactive music system in mixed works,
> and I'm looking for mixed works that makes use of machine listening/music
> information retrieval. It can be pieces for any instrumentation, but must
> be notated in score.
> > If someone has pieces with these characteristics or knows some composer
> that works with this kind of music, contact me, please!
> >
> > All the best,
> >
> > Vinicius
> >
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